Category Archives: Alkyds

Someday my prints will come…

See what I did there? prints/prince?? Oh, never mind…

Anyway, prints. You will soon be able to buy high quality Giclee prints of a selection of my paintings. First off the mark will be a couple of my latest gouache paintings.

I’ve been working with Sarah at Ironbridge Fine Arts and Framing to colour match the scans of my paintings to be as close as possible to the originals. I’m very impressed! Comparing my paintings and test prints side by side it really is hard to tell at a glance which is the original. 

What is a Giclee print?

Kynance Cove: The Bellows - framed original with Giclee print
Kynance Cove: The Bellows – framed original alongside Giclee print

Giclee prints are made using top-of-the-line inkjet printers. While the technology is similar to your home deskjet printer, Giclee printers can use 12 inks rather than 4. This means they can achieve very subtle colour graduations which closely match those in the original painting. 

During printing the size of the spray droplets varies which makes for a less ‘mechanical’ finish. And the ink is archival quality so each print will have a long life with less likelihood of fading.

Once printed onto an acid-free, lightly textured watercolour paper the results are brilliant.

Which paintings will be available?

To kick things off I’ll be offering two recent gouache paintings:

  • Kynance Cove: The Bellows (featured above)
  • From Pen Olver to Lloyds Signal Station
From Pen Olver to Lloyd's Signal Station
From Pen Olver to Lloyd’s Signal Station

I will be offering both unframed without a card mount. Besides giving you the freedom to present them exactly how you want, this also means I can keep the price point affordable.

I’ll post up full details of price, size etc. once I’m ready to go, most likely mid to end of October (I have a holiday coming up very soon). 

Meanwhile, if you are already interested, please contact me now and I’ll get in touch when they’re available.

Of pets and sketches and being unbusy

With my studio still stuffed full with boxes of stuff from my late Dad’s estate, apart from making occasional sketches I’ve not been at all productive over the past 18 months. I completely underestimated the sheer physical amount of personal material I’d have to pick through and the ongoing, negative emotional impact that would have.  In truth, I’ve had neither the time nor inclination to get stuck into anything very much.

A new pet portrait commission…

Before I completely filled the studio, early in the year I started a new commission in alkyds, a pet portrait of a gorgeous Italian Spinone dog. As I needed to work from photos I’ve found my iPadPro remarkably useful, being able to zoom in and adjust the lighting to reveal structural detail at will.

At the moment this is on hold with my client’s blessing, but it is close to completion. Unfortunately at 70cm by 100cm it is rather large, and I’ll only be able to finish it once my studio’s clear again.

…and a Cornish break

At least my June holiday gave me time to settle and sketch. Here are a few 6″ by 8″ acrylic sketches from my visit to the Lizard peninsular in Cornwall.

And I’m off again in September. First to the Isles of Scilly for 1 week and then the lizard again for 2 weeks. A three week holiday! I won’t want to come back! My plein air kit will go with me of course.

I’m still undecided whether to take oils instead of my usual acrylics. So many advantages including extended drying time and retention of brush strokes. But after a few trial runs in the garden I really need to brush up. I seem to be very good at making panels of mud!

With things as they are at the moment it’s a lot less of a faff for me to upload a post to Facebook and Instagram than this blog as I can easily do it on the fly from my phone. So, i
f you’d like to see more frequent updates, please head on over and like my FaceBook page. 

Peeking behind the Cow – a painting in alkyds

Commissions. To be honest, I rarely take commissions. In fact I’ve only ever accepted five I think (can’t rightly remember now, awful memory; combination of lazy brain cells and all that fine sippin’ whisky…) And all have been animal portraits; hmmm, there may be a pattern there…

For me , commissions inevitably bring mixed feelings.  On the one hand there’s an intense buzz – the intellectual and artistic challenge of successfully translating a client’s wishes into tangible and desirable reality. On the other there’s something darker, something a whisper away from mind-numbing, confidence-sapping terror! Boy, do I find it stressful.

While I can’t share these feelings with you I can give you a peek of some of the stages behind a commission from 2008.

The Cow in my gallery was for a client who wanted a large piece with presence.  They were very clear on the style and subject, and supplied a photograph from which I made the painting. We agreed on 40″  by 30″.  This made it the largest painting I’d ever tackled by a long chalk- no pressure.

My preference was firmly for alkyds – so many of the advantages of oil with increased drying and stability. I started with a carefully drawn outline in marker pen:

Cow outline drawing
Cow – outline drawing

To enrich the dark blue background and pretty much orange cow I thinly under-painted in reverse – orange under blue, blue under orange:

Cow under painting
Cow under painting

Once dry I roughly blocked in the approximate colours.  I wasn’t too worried about nailing the final tones at this stage:

Cow alkyd painting blocking in
Cow – blocking in

Then it was just a case of gradually working all over the painting to bring everything to a similar density. At this stage I went through those mid-point blues. I just knew it would never work…

Cow painting alkyd building up
Cow – building up

…but I persisted. The tones were built up using successive thin glazes to model the head enlivened with thicker, lighter passages to bring the painting to completion:

Cow painting in alkyds
Cow in alkyds on canvas 40″ by 30″

To my relief my clients were very pleased – bye bye terror, hello buzz and huge sigh of relief 🙂