Towards Kennack Sands from Church Cove

Here at last, the Lizard Peninsular in Cornwall

Well we’ve now been on the Lizard Peninsular in Cornwall since Saturday, and as usual, it’s great to be here.  This really is a special place.

Sure, the area around the Point itself can be busy during the day. However my experience is that the visitors generally stay fairly localised, preferring to drive up, park, peer, visit the café then depart leaving the wider area relatively quiet.  And from around 5:00pm everywhere becomes still. Suits me down to the ground.

I have to keep reminding myself that this is first and foremost a family holiday and not purely a painting trip, otherwise left to my own devices I’d keep sneaking off…

That said I have had some opportunities to paint en plein air.  Have to say though I’m feeling very out of practice, and the results have been mixed.

Over Housel Bay
Over Housel Bay

This is a quick watercolour from Sunday overlooking Housel Bay from rocks near Bass Point. The light was striking, fleeting sunlit patches over the cliffs, but not sure I’ve captured it here.

Ade Turner painting en plein air
Ade Turner painting en plein air

Today I dragged out my pochade box stuffed with acrylics and wandered down to Church Cove. I really do like the Mabef system. It provides a solid work platform, and it’s usually a comfortable platform too unless you set it too high as I did (see photo) – oopsy.  I know I could’ve adjusted the height easily enough but heck, I’m not that bright!

Towards Kennack Sands from Church Cove
Towards Kennack Sands from Church Cove

I’d prepared a panoramic board as I wanted to take in the wider view down the coast east of Church Cove looking towards Kennack Sands. The light was very flat today and I had difficulty from the get go determining tone and depth.

Any confidence I originally felt when I set up sort of melted away. Still, I laid it out and pressed on. And by midway it was not going well at all. In truth I almost had a ‘Fast Show’ moment when I developed a steely determination to pitch it over the cliff – but I resisted.

I often find I’ll hit a low point mid-way through almost every painting. There’s frequently a disjuncture between what I see, what’s in my head and what’s actually coming out of my brush. In this case I think I turned it around sufficiently for me to want to complete it at a later date. But for now it’s going into a box for a while.

Let’s see what opportunities the rest of the week brings.

 

 

 

 

 

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